With over thirty-five years of
dedicated work, one can understand Michael K. Paxton’s metaphor for growth in art, “You
can’t pull on a plant and expect it to grow.
You have to nurture it. Be
dedicated and invested in order to see results.” Paxton has an extremely strong foundation in
life and still life drawing. He can
render the most believable bodies, carving realistic beings with luscious
curves and muscular flesh. There is no
doubt his handwork is masterful, but what sets him apart from the rest is his
artistic process. Paxton uses materials such as waxy drafting film, pen and ink
allowing accidental flows of washes across a non-absorbent surface to influence
his mark making. This tactic allows
Paxton freedom as his work springs to life from mistakes and transitions
through undetermined mark-making, creating a flow that is natural and bold as
it branches out into new exciting directions.
"Alpestrine" Installation ©Michael K. Paxton All Rights Reserved |
Paxton
describes his artistic process as a search for a better way to see and
experience space. He reminds the viewer
that we are tainted by the technology of the 21st Century. Technology offers a different experience of
reality that becomes more embedded in our culture everyday. As a result, we
understand the physical world less.
Creating by hand, Paxton trains the eye and hand to understand the
information that is available here in the third-dimension word. In fact, the eye
and hand have become Paxton’s subject in an abstract sense, a fairly new
direction for his formerly representational work.
Studio Shot of Work in Progress ©Michael K. Paxton All Rights Reserved |
Paxton creates layers of thin
washes that build from previous marks moving spontaneously and instinctually
across a large surface. This work is
done without using preliminary sketch work, allowing him an uncertainty to
grapple with and grow from. This art transcends
any preconceived ideas getting to the root of what it means to picture the
world.
©Michael K. Paxton All Rights Reserved |
Paxton’s work is a fluid process that often
appears radiating with life forces.
Fluidity and movement carve new imagery, like a glacier making a pathway
over time showing space and depth to the viewer over a flat surface. Paxton
showcases breath taking control through instinctual mark making that builds
masses from hard, rigid mountains with cavernous depth and sleek slopes to
vaporous clouds of smoke, a delicate wisp moving in all directions across a
wall, marks that portray the act of burning or marks reminiscent of streamline bodies
of water, sifting cascades flowing and falling in unexpected yet completely
natural directions, forces of nature in all of their awe inspiring stages.
"Piney Drawing One" ©Michael K. Paxton All Rights Reserved |
Paxton offers a variety of unique
perspectives in his abstract drawings and paintings. Each series of work showcases a new inventive
process. Some
pieces recede with layers of washes, while others take on beautiful properties
of nature through a splotchy technique that evokes the subtle pitter-patter of
rainfall. Paxton is a visionary to keep
an eye out for in Chicago whether his exhibiting work is representational or
abstract, each of his works exemplify his stunning and extraordinary drawing
skill and incredible talent as an artist.
"Riven" Installation Wall One ©Michael K. Paxton All Rights Reserved |
"Riven" Installation Wall Two ©Michael K. Paxton All Rights Reserved |
©Darryll Schiff All Rights Reserved |
©Darryll Schiff All Rights Reserved |
Similar to Paxton’s large-scale
bodies of work, Darryll Schiff paints dramatic and beautiful motion with his
camera. Each piece has its undeniable
entry point where larger than life it absorbs the viewer. Unlike other still
life photographers, whose work is well-composed but ultimately lacking as an
immediate reaction, Schiff’s work is a meditation, much like a drawing. This can help explain why both Paxton and
Schiff are able to coax the viewer to a prompt response to their work; it is a
sensory reaction to feel strongly about the uniquely beautiful perspective that
is being offered. The work provokes immediate sensation because it is can be
recognized as an experience to stand before and take in reflections of the
world that cannot be obtained sheerly by will without the aid of tool or the
knowledge to do so. Paxton and Schiff
bring audiences into a welcome trance with their incredible skill and most
pensive bodies of work.
"Nameless and Mute" ©Michael K. Paxton All Rights Reserved
|
Michael K. Paxton is a Chicago based artist, see more of his work at:
http://www.michaelkpaxton.com/
You can find Darryll Schiff's work at:
http://www.schiff-art.com/
I'll leave you to look forward to next month's DSFA Featured Artist, Clare E. Rojas, another favorite artist of mine!
-- Lauren Ike
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